The Powers That Be (
powersthatbe) wrote2016-12-03 12:33 am
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Conversation Space IV.
The small room is painted a dark beige, with stained wood paneling on the lower half, and lush burgundy carpeting. The ceiling, however, is cracked and bowed, sagging alarmingly, occasionally shedding chips of plaster. Wrought-iron lamp-posts in the corners suspend pale, wan globes of light, and between them along the walls run rows of painted sunflowers, all turned towards the center of the room as if listening attentively. A jutting spire of granite rises from the floor on a diagonal, its flattened top sporting a cracked wineglass from which the wine (a white) slowly spatters teardrops across the plinth. And there is no chair, but a therapist’s couch, blue with gold trim, and ornate scrollwork on the legs, beside which the fluted horn of a phonograph player pipes music into the room, quiet enough to just be background ambience.
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If Moon has been watching him, she'll know who he's talking about.
"Where did she go?"
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She looks back to Riddick. "You Travelers call it Dungeons."
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She touches Riddick's cheek again, lightly. Her flesh feels almost like silk. "I'm sure we can come to an accord, pilgrim."
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"Pardner," she says, imbuing the word with a western drawl. "Pilgrim. Let go of me?"
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Instead, he asks, "One more question. Did you really take my name?"
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Hmm.
So after that pause, he answers, "Well, she ain't here, is she?"
1/2
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"Much better for kissing," she says, in smug satisfaction, and she wraps her arms around Riddick's neck.
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