The Powers That Be

You feel as if you've stepped through a door.

The small room is painted a dark beige, with stained wood paneling on the lower half, and lush burgundy carpeting. The ceiling, however, is cracked and bowed, sagging alarmingly, occasionally shedding chips of plaster. Wrought-iron lamp-posts in the corners suspend pale, wan globes of light, and between them along the walls run rows of painted sunflowers, all turned towards the center of the room as if listening attentively. A jutting spire of granite rises from the floor on a diagonal, its flattened top sporting a cracked wineglass from which the wine (a white) slowly spatters teardrops across the plinth. And there is no chair, but a therapist’s couch, blue with gold trim, and ornate scrollwork on the legs, beside which the fluted horn of a phonograph player pipes music into the room, quiet enough to just be background ambience.

As Thorne shared with the network, Travelers who vanish find themselves alone in a small room. But it doesn’t look quite as described last time. Paper lanterns hang in the corners, and a lemniscate of live, spicily scented blue roses traces a figure eight on the floor. A little marble plinth sits beside the looping roses, with a champagne flute balanced on it, pink, fizzy liquid quietly effervescing within. In place of the throne that was there before, each half of the loop holds a brown leather sphere - a yoga meditation-ball chair. They’re a little tricky to balance on.


The walls, floors, and ceiling are tiled, a prismatic fade from one color to another, each tile unique, just slightly different in hue than those around it, each colored line giving a sense that it belongs to a bigger pattern, but never revealing enough to allow anyone certainty about what that pattern might be. It is only a glimpse of a larger world… in this small, quiet space.